There is something really soul-sucking to me about spending all day staring at a screen, so synths are a great way to break that habit and get your hands on something real.įollowing the release of your two-part The Psychic Staring Effect last February, you set out on a string of tour stops that featured live modular work on stage. But I will say that I think that physical instruments will always be a part of my life. I sampled a lot of modular sound design that I made into granular samplers to get a lot of the sounds on the record. Also, most of the sound design on this EP is based in modular synthesis. I try not to say things like always/never/forever because that is a great way to end up being wrong. I’d say that it is impossible to say that something will always have a place in my interests.
Is modular synth work something that will always have a place within your interests, or are you making an inherent effort to shift fully into this style for future releases? There is something really soul-sucking to me about spending all day staring at a screen, so synths are a great way to break that habit and get your hands on something real. The real challenge comes from the life of being a traveling musician trying to keep up on your mental and physical health/sleep and whatnot.
I have always made about three times as much music as I released, when it is coming out it is really coming out. So really no challenge in staying consistent as far as output goes. I always figured that as long as you have good tunes, and a good support system, that the rest would fall into place. Making music is the best part about my music career and the only one that has ever really seemed like a priority for me. How have you been able to maintain such a consistent workflow, while also balancing the other aspects of your career? You’ve released nearly one complete EP each consecutive year since your debut in 2011.
#Bleep bloop lyrics full
Characterized by shadowy experimental soundscapes and torrid plunges of bass, Gain the Axe further perpetuates a vision for unhindered creative cohesion that permeates every aspect of the project.Īn opportunity to catch up with Bleep Bloop in anticipation of his latest project revealed some intriguing details about the nature of his workflow, his passion for modular synthesis and live instruments, his creative relationship with Gary Paintin, and a brief look at what is still to come on the horizon for his recently debuted imprint Eat the Bomb.īe sure to check out the full interview and Gain the Axe EP, out today, below!
#Bleep bloop lyrics Patch
In his latest audible endowment, Bleep Bloop establishes an undermining aura of chaos fueled candidly with hauntingly sinister nomenclature, such as ‘Eye Patch of Power’ and ‘Lady of War’. Released this past February, The Psychic Staring Effect is a two-part sonic epic that dove deep into the caverns of modular synth work, which depicted the brilliant California-native working proficiently in an area where he is both passionate and knowledgeable. So I guess it makes sense that I amassed a bunch of music that’s kind of broken and fragmented but still clinging to itself and staying whole, since that’s what we are all doing right now.A remarkable embodiment of persistence and consistency, production maestro Bleep Bloop possesses a superior work ethic and ceaseless desire for innovation that allows him to remain full strides ahead of even himself, producing nearly three times as much content as meets the public ear. No one knows what the future holds, and the narrative is totally broken and fucked. One Liners did end up reflecting a lot of things about my life and also the world. Bleep Bloop adds, “All the songs could stand alone if they needed to, but they don’t need to. Both in retrospect and in Bleep Bloop’s examination of the human collective consciousness.
Disparate sounds fuse together across the 8-track EP that channel the many intricacies of life and the emotional responses molded from these experiences. Scheduled for release on July 10th across digital platforms and a limited edition cassette run of 100 copies, One Liners features Def Jam’s Goon Des Garcons and longtime visual collaborator and musician Gary Paintin. It’s a path filled with many climbs and many more rewards.Ī decade after his initial wave of releases, many of his eccentric techniques in multi-genre blends have funneled into his latest EP. Bleep Bloop began his career releasing music in the early 2010s, quickly rising on the DJ Shadow imprint Liquid Amber and shattering speak systems live across the globe. Calibrated with a technical skill set and a visionary sense of exploration within frequency, rhythms, harmony, and progressions, Bleep Bloop’s sound has traveled the world over and redefines where experimental production music continues to head. Few have pushed tonality in modern music further than Los Angeles producer Bleep Bloop, creating anthemic productions that dive deep across the threshold of sonic surrealism.
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